Variety

Hollywood Ventures Group, Canada’s Big Picture Cinema Group, and Morocco’s Pink Sheep Team on Casablanca-Set Thriller ‘The Final Bet’ (EXCLUSIVE)
Nike Unveils Alex Eala T-Shirt Inspired by Tennis Phenom’s Filipino Heritage
Box Office: ‘Practical Magic 2’ Fizzles With $30 Million Debut
‘Severance’ Producer Nicholas Weinstock Boards Indian Fantasy-Horror ‘Tongue’ Starring Sayani Gupta (EXCLUSIVE)
‘Union Town’ Review: Barbara Kopple’s Labor Rights Documentary Is Both Aptly Angry and Optimistically Community-Minded
TNT’s Iraq War Drama ‘High Value Target: The Hunt for Saddam’ Is Dull and Deeply Disturbing: TV Review
‘Angh’ Cinematographer on How He Captured the Film’s Challenging Nighttime Sequences
Ali Asgari Doesn’t Believe in a Bright Future After Iran’s January Massacre – Just ‘A Bit of Light’
TIFF 2026: 20 International Titles to Track, From Feng-I Fiona Roan’s Shuhua Starrer to a Taxidermy Musical and a John Madden Parkinson’s Rom-Com
Netflix’s ‘Scooby-Doo: Origins’ Wraps Production Ahead of 2027 Release
‘Your Mother Your Mother Your Mother’ Star Adia On Film Debut Opposite Mahershala Ali, Getting Certified as a Doula: ‘Birth Work Fills My Soul’
Melissa Rivers on Her Glorious Return to the Emmys Carpet, Remembering Her Mom Joan and Why ‘It’s Been Really Hard’ to Watch ‘Hacks’
‘Much Ado About Nothing’ Gets Modern War-Zone Update From Lakeem Rose (EXCLUSIVE)
Variety and Chanel’s Women in Film Bash: Ayo Edebiri, Lily-Rose Depp, Michelle Yeoh, Courteney Cox and More Light Up TIFF
‘The Stunt Driver’ Review: Jay Baruchel Takes a Leap into Tepid Biopic Territory
‘Girl Group’ Review: Rebel Wilson’s Bawdy Pop Comedy Is All Fizz and Little Substance
Tom Nicoll Looks Beyond Male Influencer Culture in TIFF Title ‘Salvation’: ‘I Don’t Think Anyone’s Ever Been Insulted Into Changing Their Mind’
Yoon Dan-bi’s Toronto and San Sebastian Film ‘The World Before’ Gives Its Camera a Soul and Its Island a Voice
‘Masc’ Review: A Sensitive Character Study Where Identity is Found in Imitation and Observation
Shuhua’s Acting Debut and Breaking Free From the ‘American Girl’ Label: Director Feng-i Fiona Roan on Toronto Title ‘Happily Ever After’