Variety

‘Obsession’ One Year Later: Inde Navarrette and Curry Barker Dish on Memes, How Nikki Became More ‘Flirty’ and Their Wild Ride at TIFF
Watch Brandi Carlile and Bonnie Raitt Duet on ‘Love Me Like a Man’ for ‘Austin City Limits’ Premiere, Plus a Web-Only Bonus, ‘Angel From Montgomery’ (EXCLUSIVE)
‘It: Welcome to Derry’ Creators Andy and Barbara Muschietti on Late Tim Curry: ‘His Legacy Is Incredible’
Russell Crowe Wipes Away Tears at Venice Premiere of Music Documentary ‘What Love Builds’ as Fans Yell ‘We Love You!’
‘Let Us Through, Dear Ancestors’ Review: Lav Diaz Delivers an Immaculate, Slow-Burn Period Drama of Rare and Restless Insight
No, Tom Cruise’s ‘Digger’ Isn’t a Musical
‘Beef’ Creator Lee Sung Jin Pitched Charles Melton on the Show Over Dinner: ‘By the Third Appetizer He Said Yes’
Sandra Bullock Rejected ‘Every Pervert’ in Auditions ‘Asking Me to Drop My Pants’ and Stopped Acting in Rom-Coms When ‘I Was Getting So Much S— For Them’
Court to Hold Paramount-Warner Bros. Settlement Conference in Late October
‘Back to Buenos Aires’ Review: Marco Bechis’ Return to the Screen Covers Similar Ground to Earlier Works but is Only Fitfully Effective
After Taylor Frankie Paul’s ‘Bachelorette’ Scandal, ‘The Secret Lives of Mormon Wives’ Just Isn’t Fun Anymore
‘Le Faux Soir’ Review: Fake News Tells the Truth in an Earnest, Slow-Paced Period Piece
Streaming Prices Continue to Balloon: Is ‘Streamflation’ at a Breaking Point?
‘Like ‘Amores Perros,’ I Hope My Film Will Also Transcend Time in Some Way,’ Says Gael García Bernal of His Third Directorial Outing, ‘Hombre al Agua’
Stephanie Ahn’s Seven-Year Road to ‘Bedford Park’: ‘You Never Know What Can Make Your Film Better’
Jimmy Kimmel in Talks to Renew Late-Night Show at ABC
‘Point Break’ TV Series Greenlit at AMC, Canal+
‘Sheriff Country’ Sets Backdoor Pilot for Medical Spinoff Starring ‘Schitt’s Creek’ Actor Noah Reid
‘Dolly Parton International Airport’ Moves Closer to Becoming a Reality, as Nashville Airport Board Votes Unanimously for Name Change
‘Hombre al Agua’ Review: Gael García Bernal Directs and Stars in a Sputtering, Screwball-y Dramedy About One Man’s Identity Crisis