Variety

Biennale Chief Slams EU for Withdrawing Funding Over Russia’s Presence at Art Exhibition During Film Festival Press Conference: ‘They Are Abandoning Us’
International Cinema Union Criticizes Europe’s Approval of Paramount-Warner Bros. Merger: ‘It Has Based Its Decision on Too Narrow a Scope’
‘George Michael: The Faith Tour’ Concert Tour Film Acquired by Bleecker Street, Universal Pictures Content Group
Venice Horizons Opener ‘The Girl With the Leica’ Boarded by Fandango Sales (EXCLUSIVE)
Iranian Director Mohsen Gharaei’s ‘Falling House’ Boarded by Paradise City Sales Ahead of Venice Premiere
‘The Dink’ Review: Pickleball Takes on Tennis in a Mild Underdog Sports Comedy
Imax Second Quarter Earnings Rise as CEO Calls Christopher Nolan’s ‘The Odyssey’ a ‘Transformational Event’
Venice Film Festival Sees Sharp Drop in Female Directors in Competition, With May El-Toukhy Standing Solo
Venice Lesbian Drama ‘Big Little Things’ Boards Moebius Entertainment for Worldwide Sales
Venice-Bound Serbian Protest Drama ‘Until the Day Ends’ Boarded by Heretic (EXCLUSIVE)
Venice-Selected ‘Moonfish,’ Starring Morgan Spector and Lucy Liu, Boarded by New Europe (EXCLUSIVE)
Venice Film Festival Reveals 2026 Lineup (Updating Live)
Daniel Wu on ‘Cold War 1994,’ ‘Twilight of the Warriors’ and Coming Home to Hong Kong: ‘The Craft Still Challenges Me’
Sarajevo Film Festival Unveils Competition Programs With 21 World Premieres, Six International Premieres
Brazil Begins Three Days of Mourning After Luiz Carlos Barreto, Its Legendary Film Producer, Dies at 98
Courtney Stodden Is Fighting for Something Bigger Than Jason Alexander’s Apology
‘The Wild Robot’ VFX Studio STIM Sets Canary Islands Operation, Planning to Create More Than 100 Jobs
Where to Find a Commonwealth Games 2026 Livestream in the U.S. to Watch the Event for Free
Yeon Sang-ho Returns to ‘Parasyte’ Universe With ‘Tamiya,’ Starring Shioli Kutsuna, at Netflix
Shaken, Soaked and Seasick: What It’s Like to Survive ‘The Odyssey’ in 4DX