Variety

Kid Cudi Defends Kanye West After Ending Feud: Kanye ‘Apologized and It Was Sincere’ After Antisemitic Outbursts
‘Evil Dead’ Star Bruce Campbell Says He Has 5 Years to Live After Incurable Cancer Diagnosis: I’m ‘Dying’ but ‘I’m Moving On’
Robert Pattinson Kisses Suki Waterhouse as ‘Primetime’ Rocks Venice With 7-Minute Standing Ovation
‘It Will Happen Tonight’ Review: Louis Garrel and Jasmine Trinca Follow Each Other Through the Years In a Light and Predictable Romcom
Mexico’s Venice Queer Lion Contender ‘Tijuana, Todavía’ Trains a Spotlight on the Plight of a Gay Refugee Fleeing Persecution 
‘Spider-Man: Brand New Day’ Is Fastest Film to Cross $900 Million at Domestic Box Office
How Maggie Gyllenhaal Used Dakota Johnson and Ellen Burstyn to Reimagine Marilyn Monroe at 100 in Venice Short ‘Flesh Impact’
Teens Seek to Heal Wounds Through Macabre Rituals in Jannis Lenz’s ‘Oasis,’ With Hints of the Influence of Jessica Hausner, Michael Haneke
‘Primetime’ Review: Robert Pattinson Leads a Dazzling Cast in a Lurid Horror-Movie Portrait of a ‘Predator’-Hunter’s Predatory Instinct
‘Chronovisor’ Review: An Eerie, Fiendishly Clever Mystery for Lovers of Libraries and the Storied Smell of Old Books
Al Pacino Sends Video Message to Venice After Missing Press Conference for ‘Father Joe’: ‘I Wish I Was There, I Really Do’
Retirement Match: Here’s How to Watch Katie Taylor vs. Flora Pili Boxing Live Online
Louis Garrel Jokes About ‘Moretti Method’ Acting at Press Conference for Nanni Moretti’s ‘It Will Happen Tonight’
Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival
Aflac Taps Affleck for Commercials to Keep Insurance Customers Quacking
‘Our Share of Sand’ Review: A Brooding Indian Social Drama Told Through the Eyes of a Young Girl
‘Tom and Jerry: Forbidden Compass’ Review: The Famous Cat-and-Mouse Duo Are Not Themselves In a Chaotic Chinese Cartoon
Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’
Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’
‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama