Variety

George Clooney Says the Government Shouldn’t Regulate AI: ‘These Are Not the People You Want to Entrust the Holy Grail With’
‘Spider-Man’ and ‘The Odyssey’ Propel U.K. Box Office to Best August Since 2018
Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe — Then Scrapped It: ‘It Fundamentally Did Not Work’
Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)
‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run
Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)
Busan Market Unveils Doc Square, Launches Impact Asia as Yim Siwan Named Festival Closing Ceremony Host
Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)
Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze
Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)
Indonesia’s ‘2nd Miracle in Cell No. 7’ Gets Philippine Remake From Viva Communications (EXCLUSIVE)
Alix Earle’s Inane Netflix Reality Show ‘Earle Meets World’ Is Like Watching Paint Dry: TV Review
Netflix Probes Trump’s Catering Truck Escape in ‘Instadocs: The Decoy Plane’
Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’
Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)
AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)
In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions
Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)
‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’
Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek”