By The New York Times (World News) | Created at 2024-10-07 15:15:08 | Updated at 2024-10-07 17:24:53
2 hours ago
Europe|In London, a Pro-Palestinian Protest Disrupts the Launch of an American Mural
https://www.nytimes.com/2024/10/07/world/europe/london-pro-palestinian-protest-mural.html
You have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load.
The U.S. ambassador Jane Hartley was en route to the dedication of a climate-themed mural in London by Shepard Fairey, who created the iconic Obama ‘Hope’ poster. But then a protest began.
Oct. 7, 2024, 11:13 a.m. ET
It’s the kind of cultural exchange any diplomat would savor: A prominent American street artist paints a mural, dedicated to the cause of climate activism, on an apartment building in one of London’s hippest neighborhoods.
Jane D. Hartley, the United States ambassador to Britain, who proposed the idea to the artist Shepard Fairey, has a track record in these projects. When she was ambassador to Paris from 2014 to 2017, she asked another well-known American artist, Jeff Koons, to create a sculpture to honor victims of terrorist attacks there.
But when Ms. Hartley was on her way to the dedication ceremony for this latest project on Monday morning, she got word that a small band of pro-Palestinian demonstrators had gathered in the Shoreditch neighborhood, beneath the red-and-blue mural, which rises four floors above the street.
They began chanting anti-American slogans and unfurling banners calling for justice for the Palestinians in Gaza — a message that seemed even more fraught than usual, given the timing on the first anniversary of the Hamas attack on Israel.
It was another example of how the Israel-Gaza conflict has reverberated around the world, fueling protests, large and small, on college campuses, city squares,and in this case, in a normally tranquil neighborhood.
Ms. Hartley’s security team diverted her car, while Mr. Fairey, who was on hand to greet her, hurriedly relocated with embassy staff members to a nearby café. He seemed bemused by the disruption, noting that much of his work has a protest element, even if his patron on this project was a government official.
