Rufus Norris, Creator of Broadway Hits, to Leave the National Theater

By The New York Times (Europe) | Created at 2024-09-24 10:30:18 | Updated at 2024-09-30 07:36:34 5 days ago
Truth

Theater|Britain’s National Theater Director Takes a Final Bow

https://www.nytimes.com/2024/09/24/theater/rufus-norris-national-theater.html

You have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load.

As Rufus Norris prepares to leave the London playhouse he has led since 2015, he reflects on his quest to make the theater represent the audience it serves.

Rufus Norris leans against a concrete wall, dressed in a red linen button down and jeans, looking at the camera.
At a leading playhouse like the National, “we have to reflect, and respond, to the changing landscape,” Rufus Norris said.Credit...Jeremie Souteyrat for The New York Times

Alex Marshall

Sept. 24, 2024, 6:20 a.m. ET

When Rufus Norris became the director of the National Theater in 2015, he said he had one main aim: to make the playhouse representative of Britain.

Almost a decade later and as Norris prepares to leave the role, he said he had made progress toward that goal, especially by prioritizing new works. Many of the theater’s most acclaimed recent productions have centered people of color, including an adaptation of Andrea Levy’s “Small Island,” directed by Norris, about Caribbean immigrants to Britain.

On Tuesday, Norris, 59, unveiled a typically diverse final season, including “Inter Alia,” Suzie Miller’s follow-up to her hit legal play “Prima Facie”; Shaan Sahota’s “The Estate,” about a British Asian politician’s downfall; and a revival of Michael Abbensetts’s “Alterations,” about immigrants struggling to establish a tailoring business in 1970s London.

Norris will be hoping some of those shows transfer to Broadway, following National Theater hits like “The Lehman Trilogy” and “War Horse.”

Image

From left: Simon Russell Beale, Ben Miles and Adam Godley in “The Lehman Trilogy.” Credit...Mark Douet

In a recent interview, Norris said the demands of the job had meant he hadn’t found time to reflect on his leadership. But an hourlong exchange gave Norris the opportunity to discuss his work at the National, the playhouse’s changing relationship with New York and his plans to step away from the theater world — at least for a while. The conversation has been edited for length and clarity.


Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.


Thank you for your patience while we verify access.

Already a subscriber? Log in.

Want all of The Times? Subscribe.

Read Entire Article