THE MARK OF THE BEAST AS A "SIGN COMMANDMENT" AND "ANTI-SABBATH" IN THE WORSHIP CRISIS OF REVELATION 12-14
https://digitalcommons.andrews.edu/cgi/viewcontent.cgi?article=2925&context=auss ^
Posted on 12/06/2024 7:36:16 PM PST by Philsworld
The key to understandmg the mark of the beast is to examine its imagery, based in the language of OT sign commandments, the Decalogue, and the Sabbath in the light of the thematic, theological, and structural features of the vision it is embedded with. When all is taken together, a consistent pattern emerges. The first table of the Decalogue and the Sabbath are the objects of the dragon's attack. The mark of the beast functions like a sign commandment and a direct parody of the Sabbath. The last rebellion of the dragon is an attempt to simultaneously draw the whole world into a unified rebellion against the Creator God. The rebellion's climax comes when a counterfeit Sabbath-like or antiSabbath mark is enforced upon all the earth. Not all join in this rebellion. God's people are commandment-keepers, who trust in Jesus and keep his Decalogue commandments. In the crisis of Rev 12-1 5, faith in Jesus, combined with obedience to the Decalogue commandments, including the Sabbath, are the eschatological sign and seal of covenant loyalty to the God of creation and redemption. In contrast, the mark of the beast stands as the eschatologcal sign of rebellion against God.
(Excerpt) Read more at digitalcommons.andrews.edu ...
TOPICS: General Discusssion
KEYWORDS:
Click here: to donate by Credit Card
Or here: to donate by PayPal
Or by mail to: Free Republic, LLC - PO Box 9771 - Fresno, CA 93794
Thank you very much and God bless you.
1 posted on 12/06/2024 7:36:16 PM PST by Philsworld
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson