Variety

Global Africa Hub at TIFF Market Seeks to Boost Visibility — and Deals — for African Filmmakers in Toronto: ‘It’s Our Moment’
‘In Alaska’ Producer Tyler Hagan Wins CMPA’s Feature Producer Indiescreen Award at Toronto Film Festival
Def Leppard Documentary ‘Long Live Def Leppard’ Coming to Theaters in 2027 From Bleecker Street’s Crosswalk
9/11 News Broadcasts: How the ‘Today’ Show, NY1, Fox News and More Covered the Attacks in Real Time
New Zealand Set to Unveil Tri-Nation Indigenous Co-Production Initiative at Toronto (EXCLUSIVE)
British Comedy Is Back: How the U.K.’s Funny Business Is Rallying Thanks to ‘SNL U.K.’ and ‘Mock the Week’
Venice Final Cut Winner Machérie Ekwa Bahango on ‘Madi Makambu’ and Why She Wants Congo to Be Seen: ‘We’re a Great Nation That Needs to Write Its Own History’
France, South Korea Take Center Stage as Global Film and TV Leaders Confront Industry Upheaval at Lumiere Summit: ‘Culture Itself Is Becoming a Driver of Growth’
Oscars: Singapore Selects Anthony Chen’s ‘We Are All Strangers’ for International Feature Race
Charli xcx Announces U.K. and Europe ‘Music, Fashion, Film’ Tour Dates, With Audrey Hobert Opening
San Sebastian Competition Title ‘Border’ Boards Reel Suspects for Global Sales (EXCLUSIVE)
J. M. Stelly’s Anatomica Films Taps Black Mandala for Global Sales on Horror Trio (EXCLUSIVE)
Na Hong-Jin, Lav Diaz, Bertrand Mandico, Rintaro Headline Busan Master Class Lineup
Jimmy Kimmel’s Pulled TV Interview With James Talarico Drops on YouTube as Texas Senate Candidate Says: ‘They’re Worried We’re Going to Win This Race’
CBS Files Motion to Dismiss Former ‘Matlock’ Writer’s Lawsuit Alleging Racist, Sexist Comments: ‘We Stand Firmly Behind Our Producers’ (EXCLUSIVE)
TIFF Opens With Siân Heder’s Crowd-Pleasing ‘Being Heumann’ — and Apple Has Its Next Oscar Contender
‘Being Heumann’ Review: Siân Heder’s First Film Since ‘CODA’ Is a Bold and Stirring Dramatization of the Protest That Launched the Disabled-Rights Revolution
Oscar Predictions 2027: Telluride Reshapes the Best Picture Race as TIFF Lines Up Its Crowd-Pleasers
‘Burgundy’ Review: An Attractive, Light-Bodied Wine Doc With a Good Nose but No Legs
‘Stuffed’ Review: Jodie Comer and Harry Melling Sing the Body Eccentric in an Odd, and Oddly Touching, Taxidermy Musical