By Literary Hub | Created at 2026-09-26 12:19:15 | Updated at 2026-09-26 13:57:30
3 hours ago
THE BEST OF THE LITERARY INTERNET
TODAY: In 1936, Harriet Monroe, founding publisher and longtime editor of Poetry, dies.
- During the season of big books, how do you choose one to read? With a flowchart, obviously. | Lit Hub
- Ed Simon explores the limits of language to understand why “pain makes poor poets out of all of us.” | Lit Hub Criticism
- Bilal Urick considers Fady Joudah’s Exhibit G, a “poetic meditation on language and time, the basic structural forces of life, stripped of stability under genocide.” | Lit Hub Criticism
- Cristin O’Keefe Aptowicz chronicles the story of the actual first shot fired in the American Civil War. | Lit Hub History
- Harry Levov considers the promise of effective altruism, which, despite its best efforts, “always seems to catch audiences on the wrong foot.” | The Point
- Napster is back, and it’s…developing AI teachers for classrooms? | Wired
- Film historian Karina Longworth looks at the literature of Hollywood. | Cultured
- Nancy Foley remembers her cross-generational friendship with the late painter Robert Kabak, or as she calls him, Bob. | Oldster
- John Hay looks at The Sea Beast, the earliest cinematic adaptation of Moby-Dick. | The Paris Review
- James Young Phillips, author of the largely forgotten 1940 novel The Inheritors, “was compared by prominent critics to F. Scott Fitzgerald and Ernest Hemingway”—and thanks to a re-issue the book is getting a second chance to find its audience. | Texas Monthly
- “Her life is like her work in at least one respect: it is far more difficult to dismiss once you’ve actually engaged with it.” Casey Cep profiles Barbara Kingsolver. | The New Yorker
- David Grundy remembers J.H. Prynne, whose poetry encompassed political inquiry, unexpected slapstick, and the “intentionally, genuinely weird.” | Poetry
- Antonio Y. Vázquez-Arroyo remembers the “lucidity, courage, and a high degree of political literacy” of the late Fredric Jameson. | Public Books
- Grace Glass remembers the “unexorcisable” Annie Dillard. | n+1
- Christopher Rice explores how his mother channeled grief while writing Interview With the Vampire. | The New York Times
- Jamieson Webster explores a psychoanalytic history of the sea: “Poor Freud. The great explorer of the unconscious could find no feeling for that oceanic depth.” | Broadcast
- Ed Simon considers The Corrections—”a novel of 2026 as well as of 2001”—at 25. | The Hedgehog Review
- Today in huh?, Sea World’s doing romantasy for Halloween, and they’re making it horny. | Wired
- Anca L. Szilágyi praises garlic, the “poor man’s spice.” | Orion
Also on Lit Hub:
Against getting trapped by your own limited perspective • 8 books that wrest humanity back from the language of bureaucracy • How Heated Rivalry imagines a queerer future for the NHL • On preservation and masonry • How far has the need to perform for digital spectators has seeped into real life? • The thrill of exploring old buildings and their long-hidden secrets • What we lose when a species goes extinct • Meet Hyman Judah Schachtel, the anti-Zionist rabbi of Houston • Why John Green gives himself permission to suck • The poetics of subverting linear time • Sasha Dovzhyk recommends essential Ukrainian literature • What Katie Clapham’s overhead as a bookseller • What does reading The Elements of Style have in common with painting? • How proportional democracy enabled Hitler’s rise to power • How can I be more of a literary asshole? • The fight for working women that inspired 9 to 5 • The loaded nature of an artist’s room • 5 book reviews you need to read this week • This week’s Independent Press Top 40 Bestsellers for fiction and nonfiction • The poetics of daughterhood • Doireann Ní Ghríofa shares her TBR pile • Why Paulina Borsook’s prophetic look at big tech is more relevant than ever • Chris Dixon looks at the necessity of organizing • The best reviewed books of the week • Cure writer’s block with a trip to the theater • The Sardinian Nobel Prize-winner we should all be reading • Why middle age is the perfect time to return to dancing
